Cyber Troopers Virtual-On Official Sound Data
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Album Title: Cyber Troopers Virtual-On Official Sound Data |
| Record Label: Toshiba EMI |
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| Catalog No.: TYCY-5386 |
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| Release Date: May 29, 1996 |
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| Purchase: Buy Used Copy |
Overview
Cyber Troopers Virtual-On is the first instalment of a moderately successful mecha fighting series developed by Sega for Arcades and consoles. Its score by Kentaro Kobayashi blended techno, rock, and pop elements to create a suitable instrumental score. The results simultaneously sound mechanical, action-packed, yet also endearing. Cyber Troopers Virtual-On Official Sound Data was the initial album release for the game, but was superseded a decade later by an expanded release.
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First of all, it seems pertinent to mention some presentation issues concerning the Cyber Troopers Virtual-On Official Sound Data. Though the original score features some 28 tracks, a large proportion of these are not worth listening to. There are many short tracks used in menu screens and cinematic sequences that comprise little more than a few drum machine rolls, a synthpad chord sequence, or an abrupt victory fanfare. Furthermore, a large proportion of tracks on the score feature voice samples from a robotic young female voice. While these samples are intended to immerse listeners into a futuristic world, they actually sound very dated nowadays and are quite annoying too. They are particularly disruptive at the introduction and prevent a definitive start to the soundtrack.
Despite these problems, there are a number of highly enjoyable tracks on Cyber Troopers Virtual-On. “In the Blue Sky” is regarded as a classic for fans of the game and for good reason. The track defines the type of light-hearted technopop to expect from the album with its fast-paced electronic beats and jubilant synth melodies. Structured in a typical pop format, the verse section is highly lyrical, yet also somewhat ridiculous with its uncontrolled runs, while the chorus is more stable and anthemic. Plenty of other tracks adopt a similar format to this track, ranging from the hyperactive “Everything Merges with the Night” to the rocking “Higher Ground” to the carefree “The Wind is Blowing”, always to delightful effect. “She’s Lost Control” deserves special mention for really defining that motivating fighting sound.
Though largely a light-hearted soundtrack, there are nevertheless some intense moments to diversify the experience. “Alice in the Wonderland” is probably the darkest track on the soundtrack, contrary to expectations raised by its name. While Kobayashi clearly focused on offering a frivolous feel to most of the score, it is clear he is capable of offering brooding, uncompassionate soundscapes too. “Ruins” and “Fade to Black” meanwhile remind one of the boss battle themes featured in certain classic RPG soundtracks, the latter even having a slight Castlevania vibe. Their blend of rock and techno is certainly encouraging, but there is an undeniable epic and tragic quality contained within their melodies. Somehow their unique lyrical quality ensures they sound like they firmly belong in the Virtual-On universe nevertheless.
There are two bonus arrangements by Kentaro Kobayashi at the end of the soundtrack of perhaps the most popular themes on Cyber Troopers Virtual-On, “In the Blue Sky” and “The Wind is Blowing”. These are quite humble and straightforward synthetic arrangements, so don’t expect anything spectacular. “In the Blue Sky” provides a more laidback interpretation of the original — featuring a more stable verse section yet maintaining the elating qualities of the chorus. “The Wind is Blowing” is also quite enjoyable, despite its conventional qualities, and provides an uplifting end to the album. Note those who purchase the recently released Cyber Troopers Virtual-On Original Soundtrack instead will benefit receive these arrangements and two additional ones, including a performance by Sega’s new in-house band [H.].
Summary
Overall, Cyber Troopers Virtual-On features an enjoyable score. It’s impressive how Kentaro Kobayashi managed to define the franchise with a unique hybridised sound and also incorporate plenty of memorable anthemic tracks. That said, this album is let down by its presentation and there are far too many short tracks and voice samples that detract from the experience. Those still interested in the musical experience should consider the more elaborate Cyber Troopers Virtual-On Original Soundtrack, featuring bonus compositions and arrangements.
Do you agree with the review and score? Let us know in the comments below!
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Posted on August 1, 2012 by Chris Greening. Last modified on August 1, 2012.
About the Author
Chris Greening I've contributed to websites related to game audio since 2002. In this time, I've reviewed over a thousand albums and interviewed hundreds of musicians across the world. As the founder and webmaster of VGMO -Video Game Music Online-, I hope to create a cutting-edge, journalistic resource for all those soundtrack enthusiasts out there. In the process, I would love to further cultivate my passion for music, writing, and generally building things. Please enjoy the site and don't hesitate to say hello!
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