VGMO -Video Game Music Online-

Weifan Chang Interview: Sounds of Taiwan

September 24, 2016 by Emily McMillan

Weifan Chang is a Taiwanese composer who has contributed to a range of tv shows and games, and has several

Hiroyuki Kawada Interview: Namco Sounds in the 1980s

September 18, 2016 by Chris Greening

Hiroyuki Kawada is Namco’s longest-serving musical innovator. During his three decades at the company, he balanced work on classic properties

Jeff Broadbent Interview: Shaping the Music of Anteria

September 13, 2016 by Emily McMillan

Last time we spoke with composer Jeff Broadbent, he told us about his background as a composer, and his work

Hyperduck Soundworks Interview: Cosmic Star Heroine

September 12, 2016 by Emily McMillan

Hyperduck Soundworks, the musical duo behind Dust: An Elysian Tale and Kingdom Rush, consists of Irish composers Chris Geehan and

Robyn Miller Interview: A Return to Cyan Worlds

September 9, 2016 by Emily McMillan

Robyn Miller first made a splash in the gaming world not as a composer, but as a designer. Along with his brother

Mark Knight Interview: Back in the Composer’s Chair

September 6, 2016 by Chris Greening

Mark Knight is an enduring British pioneer in game music and audio. The self-taught composer brought musical innovations to top

Austin Wintory Interview: A String of Successes

September 1, 2016 by Emily McMillan

Austin Wintory recently made another big splash in the game music world with his latest score to Abzu, but his original iconic

FamilyJules7x Interview: From Covers to the Big Leagues

August 27, 2016 by Oliver Jia

Julian “Jules” Conroy, better known by his online handle “FamilyJules7x,” has established himself as one of the premier cover artists

Shohei Tsuchiya Interview: Chronicles of Darius

August 25, 2016 by Chris Greening

ZUNTATA is the in-house sound team and record label of long-running arcade and smartphone game developer Taito. In the last

Hirokazu Koshio Interview: Evolution of Space Invaders

August 13, 2016 by Chris Greening

ZUNTATA is the in-house sound team and record label of long-running arcade and smartphone game developer Taito. In the last

Shinji Hosoe and Kotaro Uchikoshi Interview: Zero Times

July 30, 2016 by Don Kotowski

Shinji Hosoe, as mentioned in our previous interview, is president of his game music production studio, Supersweep. His works range

Kamil Orman-Janowski Interview: Paths of Composition

July 21, 2016 by Emily McMillan

Although he started off writing electronic dance music (EDM), Kamil Orman-Janowski has since made his name with his large-scale orchestral

scntfc Interview: Musical Frequencies

July 18, 2016 by Emily McMillan

C. Andrew Rorhmann, better known as his musical alias “scntfc,” recently composed the popular soundtrack for the indie game Oxenfree, developed and

Stemage Interview: MAGfriends and MAGculture

June 22, 2016 by Emily McMillan

Grant “Stemage” Henry has made a name for himself through a blend of original music and creative covers. His band

Neal Acree Interview: Onwards and upwards

June 20, 2016 by Emily McMillan

Neal Acree has made a name for himself with his Blizzard scores, starting with his opening cinematic tracks to The

Grant Kirkhope Interview: Reflecting and Looking Ahead

June 15, 2016 by Emily McMillan

Grant Kirkhope has been praised for his iconic work on a wide variety of games, from Banjo-Kazooie, Viva Piñata, the

Tadayoshi Makino Interview: Sounds of the Dragon

June 11, 2016 by Chris Greening

Tadayoshi Makino doesn’t shy away from huge things. Having made his start as the audio director of several Gundam and Dragon Ball

Ryan Richko Interview: Going the Extra Mile

June 4, 2016 by Chris Greening

Ryan Richko is a composer making strides in the indie game and film sectors. Best known for his award-winning soundtrack

Nima Fakhrara Interview: Incorporating Persian Authenticity

May 18, 2016 by Emily McMillan

Nima Fakhrara is a film composer with an Iranian upbringing that has heavily influenced his work. One of his most

Petri Alanko Interview: One Score’s Evolution

May 3, 2016 by Emily McMillan

Finnish composer Petri Alanko was highly successful with his first game score, Alan Wake. Its dark and rich hybrid music

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